Nighthawk Rules received two Sterling Awards for Outstanding Fringe Production and Outstanding New Fringe Work. His plays Dear Penthouse and Nighthawk Rules (with James Hamilton) were critical and popular successes at the Edmonton Fringe in 20.
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His play Slumberland Motel won the main category of the Alberta Playwriting Competition in 2006. Routes received a Sterling Award for Outstanding Production for Young Audiences it also received a Dora Award for Outstanding Production for Young Audiences. Concrete Theatre toured Routes to high school audiences in Alberta, Saskatchewan, and Ontario. His play for teens, Routes, premiered in the fall of 2009. The Mighy Carlins was the winner of the Discovery Category of the Alberta Playwriting Competition in 2004, and received the Sterling Award for Outstanding New Play in 2008. Persephone Theatre in Saskatoon produced a third production in February of 2012. Nakai Theatre in Whitehorse produced a second production in the spring of 2009. His play The Mighty Carlins premiered at Workshop West in January of 2008. She has directed productions at Theatre Passe Muraille’s Buzz Festival, the Next Stage Festival, as well as the Paprika Festival’s Tenth Anniversary Celebration (2010), The Vagina Monologues (V-Day Toronto, 2009) and assisted Brad Fraser on the Canadian premiere of True Love Lies (Factory Theatre).Ĭollin Doyle is an Edmonton based writer. Also a theatre director, she directed her most recent play, Almost, Again (Toronto Fringe, Best of Fringe, 2010) which was included in the anthology Out on a Limb, edited by Kit Brennan (Signature Editions).
#ONE PERSON PLAY SCRIPTS PRO#
She was commissioned by SeriousFUN! Theatre Company in 2009 to develop a script based on the experiences of the ten young women in their Going Pro program, entitled The Line. Her plays have been workshopped through Factory Theatre’s LabCab Festival, Tarragon Theatre’s Spring Arts Fair, Nightwood Theatre’s Write from the Hip program, and the TheatreKairos writers’ circle, where she subsequently took on the role of Program Director. Originally from rural Ontario, Briana spent several years in Toronto after graduating from York University (B.A. Sunnyside Café by Pam Calabrese Maclean About the authors
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Included in the volume are interviews with the playwrights, in which they discuss the creative process of writing and of producing the work. The anthology will be of particular interest to students and teachers looking for current, challenging scene work for young actors, as well as to actors searching for the perfect solo piece. Laugh, cry, get angry, be moved by the strong stories in this exciting collection. In all cases, solo plays draw their audiences deep inside a theatrical expression, an individual vision. Sometimes a one-person play arises from a personal experience - a kind of living, breathing memoir - one that the artist shapes and hones to express an important discovery or a burning question.
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#ONE PERSON PLAY SCRIPTS PORTABLE#
Many actors create their own one-person scripts, which are then extremely portable and self-sufficient for touring. What is most exciting about a play for one actor? Often, it’s the wonderfully intense storytelling that takes place, sometimes it’s a bravura performance. The plays in this volume come from writers across the country, and have been road-tested in a variety of venues, from main stage to fringe, and other stops along the way. Often written and produced for touring and festivals, plays for one performer offer unusual challenges and benefits for both sides of the theatrical event: actor, and audience. One for the Road is a collection of recent Canadian plays for one actor.